Werner David Feist
Bauhaus Dessau: Student
Matriculation No. 206
10.1927–9.1930: Preliminary course with Josef Albers, Lessons with Paul Klee and Wassily Kandinsky, Print shop, Advertising workshop, Photo workshop
Werner David Feist was born in Augsburg on 3 December 1909. He studied at the Bauhaus in Dessau from October 1927 to April 1930. In addition to attending the compulsory preliminary course with Josef Albers, he also studied with the well-known painters Paul Klee and Wassily Kandinsky and joined the advertising workshop headed by Joost Schmidt. When the photography class was inaugurated at the Bauhaus in 1929, the young Feist was by his own account one of the first to sign up for the course given by Berlin photographer Walter Peterhans, and he later became Peterhans’s photographic assistant.
As early as 1928, Feist had already taken part in a poster competition for the public swimming-baths in his home city of Augsburg. His design was the only entry to combine photography with graphics, and this innovation – which he had probably learned at the Bauhaus – earned him first prize. In 1929, Feist again made use of his graphic skills in an exhibition on ‘Gas and Water’ and in one of the most important contemporary photography exhibitions, ‘Film und Foto’ (FiFo for short). After leaving the Bauhaus, Feist initially worked as a graphic artist in Prague until 1933 and continued there as a self-employed graphic designer and commercial photographer until 1939. In March 1939, when Prague was occupied by the German army, he fled via Poland to the United Kingdom. He had to leave all of his photography equipment behind in the Czech capital, marking the end of his photographic career.
Feist served in the British Army from 1940 to 1945. He returned to creative work at the end of the war and became studio director and art director for a London magazine publishing company. In 1951, he emigrated with his wife Ursula (another German emigré) to Canada, where he worked in various institutions as art director and as a teacher of design history.
Feist attracted popular attention particularly through the photographs that he had produced during his apprenticeship at the Bauhaus. The Goethe Institute in Montreal presented his work in one-man retrospective exhibitions held in 1976 and 1985. His photographic work was also exhibited at a group exhibition in 1985–1986 shown at the Musée de l’Art Contemporain in Montreal and at the Museum Ludwig in Cologne. In 1990–1991, Feist’s photographic work formed a major component of a touring exhibition entitled ‘Fotografie am Bauhaus’, organized by Jeannine Fiedler for the Bauhaus-Archiv Berlin / Museum für Gestaltung.
· Bauhaus-Archiv/Museum für Gestaltung, Berlin (2012), Werner David Feist: My Years at the Bauhaus / Meine Jahre am Bauhaus, aus der Serie: Bauhäusler. Dokumente aus dem Bauhaus-Archiv 1, Berlin.
· Werner David Feist (2000): After Fifty, Toronto.
· Werner David Feist (1995): My first fifty years, Toronto/Montreal.
· Reto Niggl (1995): Abgebrochene Karriere, Antiquitäten Zeitung München, Heft 21.
· Franz-Xaver Schlegel (1995): Werner David Feist. Fotografien am Bauhaus 1928–1930, Augsburg.
More articles on the topic
Lotte Beese1903 - 1988
Beese was the first woman to study in the building department of the Dessau Bauhaus. After graduating she was a sought-after architect.
Max Bill1908 - 1994
By co-founding the Ulm School of Design, Max Bill made an exceptional contribution to upholding the Bauhaus philosophy. His Ulm stool and the Junghans clock are still considered innovative and timeless.