The Bauhaus in Weimar, Dessau and Berlin. Lives, Works, Impacts
In its mere 14 years of existence, the Bauhaus gave rise to a fascination which persists until today. This book introduces the Bauhaus architects, guides us through the sites of the school’s activities and former homes of the Bauhaus members, and it portrays some of the artists. It recounts the unconventional forms of living, working and learning at the Bauhaus, and describes its creativity – from the enthusiastic period of its foundation in Weimar, to its establishment in Dessau and finally its forced closure by the Nazis, in Berlin in 1933.
Publishers: EDITION BRAUS
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Experiment Weimar. A Cultural History of Germany 1918 – 1933
With its modernism influencing literature, drama, architecture, art, music and dance, the Weimar Republic can be seen as an era all of its own. It was not a crisis-ridden “interwar period”. It was an age marked in part by explosive development processes. The Weimar culture is more readily understood from the perspective of the First World War than from its end phase. It is extremely important for Germany’s cultural history and informs many aspects of how we approach the arts today.
This is the Bauhaus! 50 Questions – 50 Answers
What is “the Bauhaus”? Why did this arts school have such a huge influence on design, architecture and modern life? Fifty incisive answers discuss the characters of the Bauhaus – those devoted to self-sufficiency, the visionaries, the fanatics of experimentation, and the party animals. They talk of trailblazing architecture and unbeatable design, and how the Bauhaus continued to develop in Germany, Israel and the USA. This intelligent and humorous statistical analysis provides insights into all the important numbers related to the Bauhaus, from courting couples to the bestselling products.
The Bauhaus was an important inspiration for modern design and functional architecture, well beyond the bounds of Germany alone. Yet the products themselves were not the only decisive factor in its international impact and reception. The ideas of the Bauhaus were carried around the world largely because of the – mostly involuntary – emigration of the Bauhaus figures in the 1930s, above all to the USA and the Soviet Union, but also to Israel, China, India and Turkey.