The Bauhaus in all its facets

The Bauhaus was a lively school of ideas and a field for experimenting in the free and applied arts, design, architecture and educational methods. Here we present the phases the Bauhaus went through, the places where it based its activities, its teaching, the people behind it and their works.


The Bauhaus was only active for 14 years: as the “State Bauhaus” in Weimar, as a “school of design” in Dessau and as a private education institute in Berlin. It evolved out of the arts and crafts movement and art school reforms. Its ideas had an impact well beyond the school itself, its locations and its time.


The Bauhaus was the fruit of versatile input from both well-known avant-garde artists and aspiring junior masters, more than 1,250 students from 29 countries and their friends and families. In the “People” section we present the “Who’s Who” of the Bauhaus.


What does Bauhaus mean today? Here, we publish the latest news and introduce future themes, places, institutions and opinions related to the Bauhaus.

Crazy about Pictures

Hardly any discipline added to the regular teaching curriculum at a later stage, was as present at the Bauhaus as photography. John Grimes, professor emeritus of the Institute of Design, the New Bauhaus’ follow-on institution, and expert for the development of computer-supported digital imaging, gives an overview of 100 years of enthusiasm for imaging – from Dessau to Chicago, from the darkroom to the Cloud.

Bauhaus-Archiv Berlin / © VG Bild-Kunst, Bonn 2016

Bauhaus in 360°

To mark the Bauhaus centenary, Interactive Media Foundation, a Berlin-based creative foundry, joined forces with Filmtank to develop the project BAUHAUS SPIRIT. Parts of the cross-media project will be on view at the 100 Years of Bauhaus opening festival in January 2019. We talked with Diana Schniedermeier, Director of the Interactive Media Foundation, about the spirit of the Bauhaus in our era of virtual realities.

Artifical Rome / Interactive Media Foundation

“Bauhaus Is Still Putting Us on the Right Track”

The grand Bauhaus Year 2019 will be inaugurated with a large-scale opening festival in Berlin. For one week, international artists from the fields of dance, theater and music will be devoting their attention to contemporary topics within the context of the Bauhaus’s performative inquiries. Bettina Wagner-Bergelt, the festival’s curator, discusses this multifaceted celebration of a bauhaus now.

Stan Hema

Stereograms of the future

The Bauhaus agents at the opening festival

When the doors of the opening festival open on 16th January 2019, the Bauhaus agent programme will also be present. During the entire festival there will be cinematic project documentations, audio plays and an artistic work on the topic space – stage – movement – light.

bauhaus agenten, Foto: Friederike Holländer

International Modernism: USA

How the Bauhaus became canonical in America as a style – and found its way back to Europe as performance art

We tend to see the influence of the Bauhaus on the USA as a one-way street. In fact, the fertilisation was reciprocal and continues to this day.

gemeinfrei, lizensiert unter CC0 (

Bauhaus love stories

The Bauhaus did not only bring together art and craftsmanship, but also surprisingly many couples. On the occasion of Valentine’s Day we will have a closer look at some of the love stories at the Bauhaus.

Photo: unknown, 1928/29.

Interview with Richard Siegal

The 100 Years Bauhaus opening festival kicks off the nationwide celebrations for the 100th anniversary of the foundation of the Bauhaus. Richard Siegal's work TXTORRENT is part of the programme at the Akademie der Künste.

Luis Alberto Rodriguez

A conversation with Michael Wollny

A conversation with Michael Wollny on the creation process for the music for Bauhaus 100 – and the essence of truly soulful art.

Jörg Steinmetz

”Albers was a poet and a moralist“

In occasion of the exhibition “Josef Albers. Interaction” at the Villa Hügel in Essen, we met up with the Albers biographer Charles Darwent. Exclusively for 100 years of bauhaus, the author told us about Albers’ approach to the issue of color and material, his romantic side and why Albers never wanted to be “just” a Bauhausler.

Estate of Rudy Burckhardt / VG Bild-Kunst, Bonn 2018

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