The Bauhaus in all its facets
The Bauhaus was a lively school of ideas and a field for experimenting in the free and applied arts, design, architecture and educational methods. Here we present the phases the Bauhaus went through, the places where it based its activities, its teaching, the people behind it and their works.
The Bauhaus was only active for 14 years: as the “State Bauhaus” in Weimar, as a “school of design” in Dessau and as a private education institute in Berlin. It evolved out of the arts and crafts movement and art school reforms. Its ideas had an impact well beyond the school itself, its locations and its time.
The Bauhaus was the fruit of versatile input from both well-known avant-garde artists and aspiring junior masters, more than 1,250 students from 29 countries and their friends and families. In the “People” section we present the “Who’s Who” of the Bauhaus.
What does Bauhaus mean today? Here, we publish the latest news and introduce future themes, places, institutions and opinions related to the Bauhaus.
Articles about International Modernism
from the magazine of bauhaus100.com and bauhaus now
One of the distinctive features of the Bauhaus is that it integrated a diverse range of international trends and was required to reinvent itself in consistently new contexts due to its forced relocation. Perhaps the most intensive communication and propagation of the ideas coming from the Bauhaus occurred through the work of former teachers and students both in Germany and internationally and through the maintenance and establishment of new networks.
Searching for traces: the Bauhaus in Oldenburg?
In the research project “The Bauhaus in Oldenburg – avant-garde in the province, which was launched in 2016, we set out to find traces and to take a closer look at the regional Bauhaus history. The findings show: Oldenburg is a must on the Bauhaus map!
Crazy about Pictures
Hardly any discipline added to the regular teaching curriculum at a later stage, was as present at the Bauhaus as photography. John Grimes, professor emeritus of the Institute of Design, the New Bauhaus’ follow-on institution, and expert for the development of computer-supported digital imaging, gives an overview of 100 years of enthusiasm for imaging – from Dessau to Chicago, from the darkroom to the Cloud.
Bauhaus love stories
The Bauhaus did not only bring together art and craftsmanship, but also surprisingly many couples. On the occasion of Valentine’s Day we will have a closer look at some of the love stories at the Bauhaus.
The opening festival
The grand Bauhaus Year 2019 will be inaugurated with a large-scale opening festival in Berlin. For one week, international artists from the fields of dance, theater and music will be devoting their attention to contemporary topics within the context of the Bauhaus’s performative inquiries.
”Albers was a poet and a moralist“
In occasion of the exhibition “Josef Albers. Interaction” at the Villa Hügel in Essen, we met up with the Albers biographer Charles Darwent. Exclusively for 100 years of bauhaus, the author told us about Albers’ approach to the issue of color and material, his romantic side and why Albers never wanted to be “just” a Bauhausler.
Critical distance from multiple voices
In 1968, the year of student uprisings and critical appraisal of National Socialism, the retrospective “50 Years of the Bauhaus” was held in Stuttgart. Consequently, the exhibition “50 Years after ‘50 Years of the Bauhaus’ 1968” at the Württembergischer Kunstverein Stuttgart dealt with a very special Bauhaus.
What exactly was the Bauhaus?
During its almost fourteen years of existence, the Bauhaus revolutionised creative and artistic thinking and work worldwide. The distinguished teachers who worked here included Walter Gropius, Ludwig Mies van der Rohe, Paul Klee, Wassily Kandinsky and Oskar Schlemmer, to name but a few.
The Art of Revolution
China and the Bauhaus
The closure of the Bauhaus in Germany in the 1930s is closely linked to the perception of its orientation and teaching as politically leftist and internationalist. What influence did Meyer’s credo of “popular demand instead of luxury demand” have on the art and architecture of Communist China?
More articles on this topic
Appia Stage Reloaded
Dresden | Festival | 8.–21.9.19
In 1912/13 the stage designer Adolphe Appia and the light artist Alexander von Salzmann created the prototype of a new, open theatre stage for the 20th century. This impressive space inspired modern artists worldwide and is regarded as a direct precursor of the Bauhaus ideas.
Marking the centenary of the Bauhaus’s founding, the Bauhaus-Archiv / Museum für Gestaltung’s exhibition at the Berlinische Galerie is presenting famous, familiar and forgotten Bauhaus originals and recounting the history behind the objects.